Curses! Foiled Again (Foiled #2)

  I thoroughly enjoyed Yolen's first graphic novel, Foiled, and really hoped there would be a sequel since the first volume leaves you with many questions after Aliera's real destiny is revealed. I was thrilled to find the advanced reader's copy of the sequel available on Netgalley thanks to the publishers. Please note that this review is based on the advanced reader's copy.

Description (from Goodreads): Aliera Carstairs is back. This time she's got her cousin—and best friend—Caroline in tow, and the stakes are higher than ever. The realm of Seelie, the fairy kingdom of which Aliera is the hereditary defender, is under attack, and only Aliera and Caroline can set things right. Caroline, fragile and wheelchair-bound, may seem like more of a liability than an asset, but Aliera knows there's more to her quiet cousin than meets the eye.

Review: Curses! Foiled Again is a follow up to the delightful graphic novel, Foiled. It starts right where the first book ended, but there is also a great recap of what previously happened in the introduction. This volume had a grown up vibe to it. Aliera is still a really enjoyable character. She is snarky, intelligent, but as this volume shows she doesn't have all the answers. Curses! Foiled Again goes a little deeper to the fantasy realm that it briefly touched upon in the first volume. We are introduced to new characters, some which are unexpectedly helpful while others deceived and betrayed our heroine.
  I also loved that we got a chance to see how the Aliera and Avery relationship steadily develop. There are some hurt feelings between the two after Avery's real identity came out and I'm glad that Aliera took the time to see if she could trust him again. The banter between these two characters were fantastic and had me grinning throughout the entire time they appeared on the page.
  For the most part, there is enough action and humor to keep the reader occupied but there is a small lull in the middle of the book which I thought could get shorten and tightened up. The panels are very easy to read and follow. The monochromatic art style with a few bursts of color that distinguishes between the fantasy and real world that Mike Cavallaro used in the first book is continued and well used.
  Though the bigger story arc is solved and wrapped nicely in this book, the ending is open to another volume which I would gladly read since it features Aliera's sweet and mysterious cousin Caroline. I'm curious to see what Caroline's story line is and I really hope the publishers will encourage Yolen to release a third volume. I would definitely recommend this graphic novel series for those readers who want to read a graphic novel but are a bit hesitant because of its format.

Rating: 4 stars

Words of Caution: There is minor language and some fantasy violence.  Recommended for Grades 7 and up.

If you like this book try: Legends of Zita the Spacegirl by Ben Hatke, Hereville: How Mirka Got Her Sword by Barry Deutsch, Ghostopolis by Doug TenNapel

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Ten Great Steampunk Novels (you might not have heard of) by M.K. Hobson

 I'm delighted to be part of the Warlock's Curse blog tour which is hosted by CBB Book Promotions. Ms. Hobson's debut novel, The Native Star—the first book in her Veneficas Americana series—was nominated for a Nebula award in 2010. She lives in the first city in the United States incorporated west of the Rockies. Her favorite writers are Theodore Dreiser, Sinclair Lewis, Booth Tarkington, Gore Vidal, and William S. Burroughs. The Warlock’s Curse is her third novel. Ms.Hobson is here today to give us her recommendations for ten great steampunk novels we may have not heard before! To make browsing easier for you, I've included book covers from Goodreads and linked the titles to Amazon.

M.K. Hobson's Ten Great Steampunk Novels (you might not have heard of)

With Christmas coming up, I bet many readers of Books In The Spotlight will find gift certificates for books in their stockings. Well, the readers who have been nice, anyway. And those who have been naughty surely have better ways of getting their hands on books than waiting for some fat man in a red suit to slide down the chimney with a gift certificate. So however you get your hands on them, here’s a list of ten great steampunk books you might want to check out in 2013!

Ironskin by Tina Connolly: The elevator pitch for this one—a “steampunk Jane Eyre with fairies”—really doesn’t do justice to this compelling, lyrical tale. Whether you’re a fan of steampunk or Charlotte Bronte, you’ll like this one.









Mechanique by Genevieve Valentine: A powerful tale set under the big top of the magical Circus Tresaulti. It’s simply chock-a-block with beautiful imagery, such as the mechanical wings which lay at the center of a epic power struggle between two fascinatingly damaged characters.









 Heart of Iron by Ekaterina Sedia: This book as intelligent as it is gripping, set in a in a Russia where the Decembrists' rebellion was successful and the Trans-Siberian railroad was completed before 1854. A prime example of steampunk set outside the by-now-somewhat-yawn-worthy streets and alleyways of “foggy London.”








What Lies Beneath the Clock Tower by Margaret Killjoy: A devilishly delightful “choose your own adventure” steampunk novel with colonialist gnomes, indigenous goblins, and no small amount of political consciousness. This one is as intriguing as it is enjoyable.








 The Falling Machine by Andrew P. Mayer: This “steampunk superhero” book takes place in a Victorian New York powered by the discovery of Fortified Steam, a substance that allows ordinary men to wield extraordinary abilities. Super fun, with a strong heroine.







 God Save the Queen by Kate Locke: I like to take my steampunk with a large helping of magic, and there are plenty of magical creatures in this one. I especially like what Locke does with her goblins.








The Kingdom of Ohio by Matthew Flaming: I am cheating a bit, because I can’t classify this one as purely steampunk, but I think it will hold a lot of appeal to readers who like steampunk. And it has a beautiful love story, which I think everyone likes.







New Amsterdam by Elizabeth Bear: I don’t think there’s anything Elizabeth Bear *can’t* write—and steampunk is no exception. In this collection of interlocked short stories, hard-boiled sleuth Abigail Irene Garrett contends with Spanish vampires, blood sorcery, and dirigibles in an colonial Victorian America where the Revolutionary War never happened..






The Women of Nell Gwynne’s by Kage Baker: This isn’t really unknown, as it was nominated for several awards, but it’s a novella, so it may have slipped under the radar. The titular women of Nell Gwynne’s not only work at the most exclusive brothel in London—they are also secret agents.







 All Men of Genius by Lev A.C. Rosen: I started this list with a “steampunk Jane Eyre” so it seems only appropriate to end it with a “steampunk Twelfth Night.” I generally go for darker fodder, but this one was sweet and light and fun.








 Thank you so much for stopping by the blog today and giving us new authors and books to discover, Ms. Hobson!

THE YEAR IS 1910. Eighteen-year-old Will Edwards has landed a prestigious apprenticeship at Detroit’s Tesla Industries, the most advanced scientific research center in the United States. It’s a plum prize for a young man who dreams of a career in the new science of Otherwhere Engineering.
But his father doesn’t want him to go. And he won’t tell him why.

Determined to get there by any means necessary, Will finds unexpected support along the way. His old friend Jenny Hansen—daughter of a San Francisco timber baron—is eager to help him for reasons of her own. And so is his estranged brother Ben, who he hasn’t seen in over ten years.

But running away turns out to be the easy part. On the first full moon after his eighteenth birthday, Will is stricken by a powerful magic—a devastating curse laid upon his ancestors by the malevolent sangrimancer Aebedel Cowdray. Will must find a way to control the magic that possesses him—or the vengeful warlock’s spirit will destroy everything and everyone he loves.

 Readers, if you would like to know more about Ms. Hobson be sure to check out the links below:

• Book Website
• Amazon Book Page 
• Amazon Author Page 
• M.K. Hobson's blog  
• M.K. Hobson's Facebook page
• M.K. Hobon's on Goodreads
• Twitter  

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Song of the Lioness Quartet by Tamora Pierce

  I have been told to read the Song of the Lioness Quartet by Tamora Pierce for quite sometime. I was told that I would absolutely love the heroine, the action, and the romance. I also had to meet this mysterious George Cooper and Prince Jonathan that seemed to win so many hearts. I read all four books in the span of a week during the summer and I couldn't decide how to review them as they all connect to one another. I thought the best way to avoid spoilers would be to review them as a series instead of individual books. The order of the books are: Alanna: The First Adventure, In the Hand of the Goddess, The Woman Who Rides Like a Man, and the Lioness Rampant.

Image from Bookbuzzz as found on  Amazon.com

General description of the series: Alanna has always craved the adventure and daring allowed only for boys. When she and her twin brother, Thom, come to age they must uphold their traditional occupations. Alanna must learn the art of magic while her brother becomes a knight. When they both realize that they truly wish is the opposite, they decide to switch places: Disguised as a girl, Thom heads for the convent to learn magic; Alanna, pretending to be a boy, is on her way to the castle of King Roald to begin her training as a page. The road to knighthood is not an easy one. As Alanna masters the skills necessary for battle, she must also learn to control her heart and to discern her enemies from her allies.






Review: I thoroughly enjoyed the Song of the Lioness Quartet. I know that the middle school me would have devoured these books had I knew they existed instead of being in the constant haze of the formulaic YA horror Fear Street series by R.L. Stine.
   The heroine, Alanna, is someone you can admire for her pluckiness, determination and bravery. In more ways than one, she is a revolutionary character. Written in the early 1980s, a strong female protagonist written for young adults and children is not always easy to find. Simply put Alanna is vocal and ahead of her time period. She is is a girl with a simple dream: to become a knight. She doesn't care that her dream is deemed impossible in the eyes of her society. She refuses to abandon her vision and dons on the disguise as a boy and sets out to fulfill it.
  Though the book is filled with adventure, quests, and prophecies, at its very heart it is Alanna's coming of age journey from a young girl to a woman. While undertaking grueling lessons on swordplay and self defense, she goes through puberty. She makes incredible strides in accomplishments, but is still wrecked with self doubt that plagues us all. I loved how in the first book, Alanna: The First Adventure, Alanna realizes that being a knight isn't a simple task. She falls down and gets hurt repeatedly, but she continues to struggle and jump through hurdle after hurdle. I was a bit disappointed that after the first book, her journey just seems a bit too easy for her as she discovers hidden talent and powers, but I still rooted for her.
   For the romantic reader, romance does play a big part of the story, however, it does not overshadow the characters nor plot of the books but rather it helps develop the characters and moves the plot forward. Alanna has many suitors in the book and she takes her time finding out who is right for her and who will love her just the way she is. The two suitors that stood out to me the most are Prince Jonathan, every girl's dream of a handsome and charming prince, and George Cooper, the roguish and equally charming King of Thieves. I have to say that George stole my heart right away when he first appeared and I've been on his team throughout the series.
   The books are funny, exciting, and engaging. It has a wide cast of memorable characters, some of whom I would have love to see more fleshed out. I was disappointed on the lack of complexity regarding the quartet's plot arc. The villain is very easy to identify and it was a bit annoying to have all the characters finally come to the same conclusion that you did a few books ago. Nonetheless, I would strongly recommend this series especially to readers looking for an unapologetic strong female who believes she can do anything like a man and have the same rights as him.

Rating of the series: 4 stars

Words of Caution: Though regulated off the page, there is discussion of female puberty and sex does occur though it is not described in any details. Recommended for Grades 7 and up.

If you like this series try: Seven Kingdoms Trilogy by Kristin Cashore, Seraphina by Rachel Hartmann, Crown Duel by Sherwood Smith, Blue Sword by Robin McKinley, Grave Mercy by Robin LaFevers

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Vessel

 Ever since I've seen the beautiful cover of Vessel and read the intriguing premise of the book, I couldn't wait to get my hands on a copy of the book. Often times beautiful book covers had led me astray, but Vessel did not. Brilliantly riveting and completely unique, Vessel, is one of my favorite fantasy reads from 2012.

Description (from Goodreads): Liyana has trained her entire life to be the vessel of a goddess. The goddess will inhabit Liyana’s body and use magic to bring rain to the desert. But Liyana’s goddess never comes. Abandoned by her angry tribe, Liyana expects to die in the desert. Until a boy walks out of the dust in search of her.
   Korbyn is a god inside his vessel, and a trickster god at that. He tells Liyana that five other gods are missing, and they set off across the desert in search of the other vessels. For the desert tribes cannot survive without the magic of their gods. But the journey is dangerous, even with a god’s help. And not everyone is willing to believe the trickster god’s tale.
  The closer she grows to Korbyn, the less Liyana wants to disappear to make way for her goddess. But she has no choice: She must die for her tribe to live. Unless a trickster god can help her to trick fate—or a human girl can muster some magic of her own.

Review:  On the surface, Vessel is a fantasy novel about a girl whose destiny is thwarted and must now find  her own way to help her people, but it can also be read as a parable about one's rite of passage to adulthood. Liyana, like everyone else in her clan, has accepted her tribe's way of life, their beliefs and traditions. She fully accepts her responsibilities of becoming a vessel allowing her goddess to possess her body in order to save the lives of her clan from the Great Drought that has plagued their land. Though she does not want to die, Liyana is fully aware that her one sacrifice can save many and isn't that a good reason enough? Despite a flawless summoning dance with a pure heart and intention, the goddess Bayla doesn't come as expected and thus puts everything that Liyana has been taught and told into question for the first time.
  The world building of Liyana's world is astounding. I applaud the author for going outside of the Euro-centric box for the setting of her novel. The idea of gods using human bodies as their vessels may be completely off putting, but Durst crafts compelling folktales that not only enhance her premise but draws you into her story. Take for example how the idea of Vessels came to be: A thousands of years ago, the people of the turtle made the desert their home and divided into several clans. As you can image living in a desert isn't very easy and many people died in the harsh climate. Those souls of the first dead wandered around our world until they found the Dreaming, i.e. the afterlife, where they remained and could not rest in peace because they saw how their people suffered in the desert. And so the souls of the dead ancestors, using the magic of the Dreaming, created the Gods – one for each clan. And now, every hundred years they send the Gods’ souls to walk around their people so they can help them survive and the only way for the gods can come to their clan is through the bodies of a vessel, a person who has connections to the Dreaming and to magic. It is this set up that makes us understand why it is extremely vital that these vessels must believe that the desert clans cannot survive without the magic of their Gods and they must die so that the clans can carry on living, but can these statements be upheld?

 As the story progresses, we not only discover why the gods are absent, but also meet vessels and of course the gods themselves. The vessels themselves are of various faiths: there are those who are blind followers, devout believers of their Gods, and even those who do not want to die or even care about their Gods. The Gods are also depicted in a similar fashion, some are benevolent while others who see their vessels as just an object to be possessed. Although we get to see a lot of the various gods throughout the story, the better developed deity is Korbyn who balances the desires of the gods and the vessels quite nicely. I found myself fascinated with these characters and I couldn't help but wonder if the gods even needed the bodies of the vessel to work their magic? Aren't gods suppose to have unlimited power? 

  The premise of Vessel lends itself to great discussions about tradition, faith, destiny and survival. The presence of the Emperor, a young, charismatic leader, brings a bit of politics to the table as well: should all the peoples unite against a common enemy? Or should they fight for their independence no matter what? What sacrifices are you willing to make as a leader and to whose benefit? There is no easy solution to these questions and as such none is presented here.
  There is also an incredible amount of importance given to stories and storytelling within this world. The tales refer back to how we use myths and stories to make sense of our world, but are they suppose to be taken as truths or lessons? And if so, what lessons are you suppose draw from them?

    In addition to the incredible premise and masterful world building, the characters are phenomenal: our protagonist Liyana, the big-hearted trickster god Korbyn, the other vessels Pia, Fennick, Raan, and the mysterious Emperor himself. Liyana is a heroine that I instantly loved and it was so hard to see her being tested constantly in so many ways throughout the book. Right from the start, she is abandoned by her clan (but given the tools to survive by her loving family) and abandoned by her goddess. Though it was very easy for her to given up hope and accept her fate, she fights to stay alive. Even when she is joined by the trickster god Korbyn, Liyana remains calm and in control, grounded in her own sense of self and always remembering her job as a vessel. While some readers disliked Liyana for being so practical, I loved this about her. I'm so tired of reading heroines who make stupid decisions to put themselves in harm or who are recklessly impulsive. Liyana thinks things through, evaluating different situations and then takes logical steps. I also loved how her perceptions of both her world and herself change over the course of the novel. The once fatalistic Liyana now clings stubbornly to her desire to live along with coming to terms of her faith.

  The other vessels are brought to life and given depth. Fennick is the stubborn and brawny warrior with a heart of gold. Pia is the beautiful and ironically blind songstress who is a spoiled princess at first, but a true pure and perceptive soul.  Korbyn is the beguiling trickster who never fails to charm us with his charismatic personality and who also comes to care for Liyana as more than just the vessel for his beloved Bayla. Raan is the fiesty and the realist of the group and serves as the catalyst to Liyana's own personal growth. Raan is the only one that voices her defiance of being a vessel, who questions why she must die and plays an important role during the book's pivotal climax. The mysterious Emperor is an interesting leader who is a foil to Liyana's own leadership skills. While I did like learning about the Emperor, I wished he was a bit more fleshed out which prevented me from giving this book a five star rating. 

   Like the plotting, the romance of Vessel is complicated yet satisfying as feelings and relationships shift throughout the story. While the romance angle is present, it does not overwhelm Liyana's important journey. Thankfully, she remains a level headed, intelligent heroine who doesn't give up her senses because of a good looking boy. The pace of the book gradually increases as you learn more about Liyana's world and her true limitations. If you put aside the fantastical premise, Liyana's eye-opening journey, both literal and metaphorical, is something that any reader can identify. Vessel is a fabulous book that wraps up nicely in the end, leaving us a bit disappointed about not being able to revisit Durst's wholly original and utterly memorable world.

Rating: 4.5 stars

Words of Caution: There are some disturbing images and sensuality. Recommended for Grades 7 and up.

If you like this book try: Seven Kingdom series by Kristin Cashore, Girl of Fire and Thorns by Rae Carson, Seraphina by Rachel Hartman

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Such Wicked Intent (Apprenticeship of Victor Frankenstein #2)

  Are you looking for a gothic,ghostly read that isn't overly scary for you? Then I would suggest picking up Kenneth Oppel's new series called the Apprenticeship of Victor Frankenstein, which is a re-imagined origin story of Shelly's anti-hero. Such Wicked Intent is the perfect read for this Halloween season.

Description (from the publisher): When does obsession become madness? Tragedy has forced sixteen-year-old Victor Frankenstein to swear off alchemy forever. He burns the Dark Library. He vows he will never dabble in the dark sciences again—just as he vows he will no longer covet Elizabeth, his brother’s betrothed. If only these things were not so tempting.

When he and Elizabeth discover a portal into the spirit world, they cannot resist. Together with Victor’s twin, Konrad, and their friend Henry, the four venture into a place of infinite possibilities where power and passion reign. But as they search for the knowledge to raise the dead, they unknowingly unlock a darkness from which they may never return.

Review: Such Wicked Intent begins three weeks after the events of This Dark Endeavor took place. We find Victor and his family in mourning for their terrible loss. He rejects alchemy and complies with his father to burn down the Dark Library where he first heard of the Elixir of life. All of the books in the library burn with the exception of one. Soon visits to a spirit world and discovery of an ancient text on the wall of a cavern beneath the chateau revive Victor’s hopes, leading him to attempt creation of a replica body for Konrad’s spirit to inhabit. Of course the traveling back and forth from the spirit world has consequences, but that doesn't stop Victor's obsession nor does it quell Elizabeth's yearning to hold her fiance once again.
  This Dark Endeavor presented us with a love-triangle with Konrad and Victor pitted against one another for their affections for Elizabeth. Such Wicked Intent now turns the triangle into a square by adding another pursuer of Elizabeth's heart which complicates matters, as does Victor’s growing obsession with power. How far is he willing to go to bring his brother back to life? Does he really want to re-animate his brother? And for whom? What else could he learn from the spirit world? Oppel fleshes out these questions through Victor’s internal moral quandaries and continued scheming.
  I loved the vivid descriptive language found in the book and the further character development of the main characters. I like how Oppel uses Elizabeth, the symbol of passivity as well as Victorian female virtue in the original novel, as a three dimensional person who has her own selfish desires despite her tireless efforts to stay true to societal's conventions in his story. The conflict of interests among all of the characters keep the narrative intense and engaging. The reoccurring theme of science versus religion is done very well without being too heavy handed. While the dark supernatural powers and the back-and-forth travel to the spirit world aren't necessarily plausible, however, Oppel's great storytelling skills doesn't make us seem to notice. Plus, there isn't really much of an explanation in the original Frankenstein of what mixture of science and magic Victor exactly used to create his monster.
  Though Victor learns an important lesson at the end of this book, there is still the curiosity and the drive to see how far humans can go with science in the back of his mind that is not only very chilling but in a morbid way excites us to learn what boundaries he will cross next.

Curriculum Connection: Use to accompany the original novel.

Rating: 4 stars

Words of Caution: Mild PG language, an attempt at sexual assault, and some disturbing images. Recommended for strong Grades 6 and up particularly for those who enjoy historical fiction, horror, and adventure with a minor romance subplot.

If you like this book try: Frankenstein by Mary Shelley, Death Note manga series by Tsugumi Oba, Clay by David Almond, Prodigal son by Dean Kootz (an adult book with YA appeal)

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Tricked (Iron Druid Chronicles #4)

  Iron Druid Chronicles by Kevin Hearne is a series that you should definitely check out if you are in the mood for a humorous, action-packed thrilled ride filled with mythological and paranormal creatures.  Many thanks to publisher and Netgalley for allowing me to read an advanced copy of the book so I can provide my readers with an honest review.

Description (from the publisher): Druid Atticus O'Sullivan hasn't stayed alive for more than two millennia without a fair bit of Celtic cunning. So when vengeful thunder gods come Norse by Southwest looking for payback, Atticus, with a little help from the Navajo trickster god Coyote, lets them think that they've chopped up his body in the Arizona desert. But the mischievous Coyote is not above a little sleight of paw, and Atticus soon finds that he's been duped into battling bloodthirsty desert shapeshifters called skinwalkers. Just when the Druid thinks he's got a handle on all the duplicity, betrayal comes from an unlikely source. If Atticus survives this time, he vows he won't be fooled again. Famous last words.

Review: Now that Atticus and company have complete one plot arc, we are now poised for the next one. We switch our focus from Norse mythology to Native Amerian mythology in Tricked, where Coyote as you might have guessed plays a very large plot of the book. I know some readers complain that Hearne veers off from his plot and does a crash course in mythology, but as someone who loves mythology I don't mind it a bit.
  Tricked is filled with a series of consequences after the major turning events that transpired in Hammered. The book is not as heavy on the gods or action, but strengthens the relationship between teacher, lovable dog/sidekick, and Druid apprentice. The humor as always is top notch and one of the best things that I love about this series.
 As the series progresses, we gain insight as to what it must feel like to live several millenias like Atticus. His vulnerability shows which is not to say makes him weak, but reminds us that his life isn't all fun and games. He too has suffered loss and is hesitant to move forward especially with building relationships to anyone in fear that he would lose them. I thought it was interesting that Atticus didn't always save the day, but his trainee and Oberon, his adorable dog, also pitch in and even help save Atticus's life.
 In an interview, which took place at the "Kiss Me, I'm Irish" read-along, Hearne mentioned that there is a start of a love interest for Atticus. There is a glimpse of this new budding relationship, but it is very subdued. I'm guessing as these characters grow, there may be more development in this aspect of the story. So readers looking for a full blown romance will be disappointed. As a fan of Atticus, I'm happy to know that the potential of romance is there. Overall, Tricked is a solid continuation of Iron Druid Chronicles and I'm looking forward to reading the next book, Trapped, very soon.

Rating: 4 stars

Words of Caution: Strong violence, some disturbing scenes, and language. Recommended for mature teens and adults only.

If you like this book try: Trapped (Iron Druid Chronicles #5) by Kevin Hearne, The Dresden Files series by Jim Butcher, Cal Leandros series by Rob Thurman,  Child of Fire by Harry Connollly

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Black Heart (Curseworkers #3)

  I was eagerly anticipating reading Black Heart, the third book, in the Curse Worker trilogy. My only qualm with the book is the cover. I really wish they stuck to the original cover as it matches the mood and tone of the book. This new cover does absolutely nothing and doesn't showcase the awesomeness of this series. Readers looking for a good, solid YA urban fantasy series to read should definitely pick this one up.

Description: Cassel Sharpe has been a con man for all of his life. He's been used as an assassin in a dastardly plot, but he's move beyond that glitch in his life. He's trying to be good and to do the right thing, even though the love of his life is inextricably connected with crime. How can you distinguish between truth and lies when things become blurry? With his life, future, and love on the line, Cassel may have to make his biggest gamble yet. This time he is playing with his heart.

Review: Black Heart is a solid conclusion to the Curseworker series. I loved this unusual world where magic, reality are intricately interwoven. To fully enjoy the solid world building and a terrific cast of complex characters, be sure to start with the beginning of the series with White Cat and Red Glove.
After going through the ringer, in more ways than one, it's surprising to believe that Cassel is up for one more adventure. He's figured out the truth about himself and his abilities as well as made the decision to no longer con people, but of course things don't go as planned. It's hard to let go of the game especially if that's all that you really know. Throughout the book there are lots of interwoven cons Cassel has either set in motion or disrupted but their ripples are still being felt. At times the government and the criminals are hard to distinguish with each driven by their own goals and manipulate the system to get exactly what they want.
  What makes the Curseworker series work for me is Cassel's voice. It never falters yet there is a certain type of vulnerability mixed with charm and sarcasm that makes him likable. He's actually the normal one in his twisted and disturbing family. When he says he wants to be good and get away from the con, you want to believe him especially witnessing his past, however, you know you're going to miss the rush of getting a way with a con or solving one.
  The pace of Black Heart is done quite well. I've gotten pretty good at figuring out a YA book's plot within the first 50 or 100 pages, but with Black Heart I like not knowing how things will end as the plot twists and turns. Along with a twisty plot, there is also a great balance between mystery and romance. There is romance where Lila, Cassel's best friend and the love of his life, is concerned. They are not on the best of terms with one another yet you can feel the romantic tension between them. The romance doesn't overtake the story, which is great because it can appeal to both female and male readers. The book's conclusion, while somewhat surprisingly happy but certainly not a pretty bow wrapped up altogether too nicely. I'm just sad to see Cassel and company go and I do hope that Black plans on doing a spin off series. If you haven't read anything by Ms. Black, do give this series a try. If you hated her faerie series, this series is really different. It's fun, smart, and very entertaining.

Rating: 4.5 stars

Words of Caution: There is some strong language, underage drinking, and a small non-explicit sex scene in the book. Recommended for Grades 8 and up.

If you like this book try: Heist Society series by Ally Carter, Bringing Down the House by Ben Mezrich, Catch Me If You Can by Frank Abagnale

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Night Circus

  The Night Circus by Erin Morgenstern has been a popular book at my public library for quite some time. I had planned on reading it when it was listed on the ALA's Alex Award, a resource that I often use when I'm stumped to read for adult fiction. I was excited and curious to read the book after hearing such enthusiastic responses to it. Unfortunately, this book wasn't for me.

Description (from the publisher): The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Cirque des Reves and it is only open at night. But behind the scenes, a fierce competition is underway - a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love - a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands. True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus performers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead.

Review: I have no idea who wrote the above description for The Night Circus, but the book I read had none of the epic selling points. No huge duel, no sweep off your feet romance, and while there were a myriad of characters I wasn't able to tell if they were extraordinary or not because they went in and out of the story at arbitrary times.
  I read The Night Circus for a book club that I recently joined. It was met with plenty of positive reviews except from me. I didn't love it or hate it but was rather confused as to why everyone seemed to get something out of the story which I did not. I couldn't get comfortable with the story nor the characters. It was as if I was looking through a misty window that failed to clear up no matter how much I try to wipe it down while trying to see what was outside.
  After much thought, I think I understand why this book didn't work for me. I really do think your enjoyment of the book depends on what type of learner you are. Why does it matter? Well, The Night Circus is written entirely in third person omnipresent with an occasional interludes of a second person narrative. The book heavily relies on visuals. The book is almost entirely composed of description. While I thought the description is very cinematic and beautifully done, as a reader I felt immediately alienated. You already begin the book knowing that you're an outsider, a spectator of the events that unfold in front of you. You can only watch from a distance but not touch or come any closer. After a few lovely passages, the narrative became contrite, dull, and indulgent. I don't mind great imagery, but I'd rather have imagery to support the novel instead of becoming the novel. The writing style severely impaired my reading ability and I really had to push myself to finish it. I had already spent a few hours reading it, what more could a couple of more do to actually finish it?
   As someone as a visual and auditory learner, none of the characters became three dimensional people to me. I never got a chance to hear their own voices. I knew about them without really getting to know them per se. Sure, I could tell you who they are superficially, but they didn't mean anything to me as a reader. I can also tell you want the games were about, but I thought the whole point of it was long winded and frankly, boring. With the exception of timer periods noted at each chapter which I really didn't understand their significance because we are told virtually nothing about what is happening outside of the circus, there weren't many context clues, to give me much sense of the character's personalities. I felt the book could really have been written at any time period.
  People who I've talked to who didn't like the book often say it's because they don't care for the fantasy genre, but for me it's not the genre that bothers me. Perhaps if I listened to the story instead of reading it, I might have liked it a bit more. I know that the book rights have been bought by Summit Entertainment but there's probably going to be a lot of tweaking with the plot and pacing for the story to have action. In the case of The Night Circus, maybe just maybe the movie might be better for me than the book.

Rating: 2 stars

Words of Caution: There is some language, a small non-explicit sex scene, and disturbing images. Recommended for teens and adults only.

If you like this book try: The Art of Disappearing by Ivy Pochoda, Jonathan Strange & Mr. Norrell by Susanne Clarke, Vaclav & Lena by Haley Tanner

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Hammered (Iron Druid Chronicles #3)

  If you are in the mood for a humorous, action-packed thrilled ride filled with mythological and paranormal creatures alike, you should definitely pick up the Iron Druid Chronicles by Kevin Hearne. There are currently four books out in the series thus far with more books to follow. I've yet to become disappointed with this series.  
 
Description (from Goodreads): Thor, the Norse god of thunder, is worse than a blowhard and a bully—he’s ruined countless lives and killed scores of innocents. After centuries, Viking vampire Leif Helgarson is ready to get his vengeance, and he’s asked his friend Atticus O’Sullivan, the last of the Druids, to help take down this Norse nightmare.
   One survival strategy has worked for Atticus for more than two thousand years: stay away from the guy with the lightning bolts. But things are heating up in Atticus’s home base of Tempe, Arizona. There’s a vampire turf war brewing, and Russian demon hunters who call themselves the Hammers of God are running rampant. Despite multiple warnings and portents of dire consequences, Atticus and Leif journey to the Norse plain of Asgard, where they team up with a werewolf, a sorcerer, and an army of frost giants for an epic showdown against vicious Valkyries, angry gods, and the hammer-wielding Thunder Thug himself.

Review: Unlike Hounded and Hexed, Hearne turns a bit more introspective, dark, and serious in Hammered, but still retains its spectacular humor and action. Though we've traveled and battled alongside Atticus, we didn't get a chance to know him on an intimate level. Throughout the series thus far, we have been given glimpses into his long lived life. We know that he is capable of overcoming many obstacles and has been successful in being the oldest druid alive. In Hammered, we are introduced to the human Atticus who has made mistakes, loved and lost people he's cared for. Atticus's saddness becomes your own thus making you all that more connected to him. 
  For me the draw of the Iron Druid series has always been the perfect balance of Atticus's character. He’s a guy’s guy, who tries to think logically and long term without going crazy. He is blunt and honest, never to hide his emotions. He may not have all the answers and he does make mistakes along the way. He is fiercely loyal (especially to his wonderful, screen stealing irish wolfhound Oberon. Love him!) and a man of his word. Atticus is someone you want to have your back in times of trouble. Despite his very, very old age, he retains his humanity. 
  Since Atticus has promised Leif and a few others he meets along the way to finally kill Thor, Atticus is warned by none other than Jesus (over beer, fish & chips) to be reconsider, warning him that his move to the Norse god will have serious repercussions. Determined to keep his promise no matter the cost, partly out of a code of honor and partly out of pride, Atticus sets his path. He organizes his affairs in Tempe, Arizona, and set sails for a tumultuous odyssey. I have to say that I had two thoughts running through my head while reading Hammered. My first thought: I kept asking Atticus (yes, I know he's not real but still) whether or not he was really sure he sure about him committing deicide. My second thought: Why would you want to hurt this face? I did have to remember that I was meeting a completely different, unlikable Thor in Hammered who took satisfaction is causing people pain for no real reason. Hearne does a great job in giving a glimpse into the lives of those whose that Thor has hurt, especially Leif, which not only make you step back and view the actions and very some huge surprises but truly feel their anguish and anger. 
  Hearne continues to do a great job in exploring the theme of power, particularly with the mythological gods as the issue of keeping power in check versus behaving like spoiled little children. Questions of what makes us truly human, to the choices we tend to make shape our lives and the effects. It's very easy for Atticus to go down the dark road of a god complex, but he has learned the hard way of balancing his powers. We do, however, see how others deal with this same situation through Thor and Lief.
   Just a heads up, there is a slight, kinda big cliffhanger at the end of the book. One part of the plot arc has finished while another one leads to the next book. Overall, a very enjoyable read.

Rating: 4 stars

Words of Caution: There is strong violence, some language and sexuality in the book. Recommended for mature teens and adults only.

If you like this book try: Tricked (Iron Druid Chronicles #4) by Kevin Hearne, The Dresden Files series by Jim Butcher, Cal Leandros series by Rob Thurman,  Child of Fire by Harry Connollly

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The Serpent's Shadow (Kane Chronicles #3)

 One of the highly anticipated children/middle grade book of the summer is Rick Riordan's The Serpent's Shadow, the third installment of his Kane Chronicles series. With his trademarks of adventure, mythology, action, and a dash of romance, The Serpent's Shadow is a delightful read and a great conclusion to the series.

Description (from the publisher): He's b-a-a-ack! Despite their best efforts, Carter and Sade Kane can't seem to keep Apophis, the chaos snake, down. Now Apophis is threatening to plunge the world into eternal darkness, and the Kanes are faced with the impossible task of having to destroy him once and for all. Unfortunately, the magicians of the House of Life are on the brink of civil war, the gods are divided, and the young initiates of Brooklyn House stand almost alone against the forces of chaos. The Kanes' only hope is an ancient spell that might turn the serpent's own shadow into a weapon, but the magic has been lost for a millennia. To find the answer they need, the Kanes must rely on the murderous ghost of a powerful magician who might be able to lead them to the serpent's shadow . . . or might lead them to their deaths in the depths of the underworld.

Review: Siblings Carter and Sadie Kane are once again trying to save the world from the forces of Chaos. The giant Chaos snake Apophis and his rebel magician allies are on the rise and hungry for power. Luckily, Carter and Sadie Kane are back, prepared to the best of their abilities, and ready to fight Apophis and restore Ma'at, the order of the universe.
  The Serpent's Shadow has a lot to offer it's readers. Though filled with expected action-pack excitement, there is a lot of character growth for the big cast of characters. The story like the previous two installments are told in alternating and enjoyable voices of Sadie and Carter. The dual narrative allows Riordan to focus on both genders as well as solidify the siblings as individual characters, highlighting her/his strengths, weaknesses, and insecurities. Though we've watched the Kane siblings prove they are more than capable of taking a lead role in restoring Ma'at, there is a bit of a hesitation that each feels. I really felt I got to know each of the characters on a more personal level in this book than I did in the last two books and I think a lot of it has to do with the characters growing up and maturing.
  Riordian deftly executes the theme of duality throughout the series: the battle of order versus chaos, living an ordinary life versus taking the risks to fail and become extraordinary, and perhaps much more touching-being protected and sheltered by parents versus stepping out of their parents shadows and becoming their own person. I thought that the theme was brought to a full circle with this book. We witness first hand the obstacles the Kanes and their allies face with the lots of twists and turns in the story. Although adults are present in the book and hold important roles, they take the backseat and let the kids drive, sort out their own problems. The line between friend and foe are blurry at best, especially when the ghost of an ancient psychotic magician is willing to offer help.
 The Serpent's Shadow is a rousing adventure with plenty of magic and food for thought. There are hints to future stories featuring other gods and I'm curious if Riordan will combine the Percy Jackson's gang with the Kane's, which could be really exciting. 

Rating: 4.5 stars

Curriculum Connection: Social Studies, English

Words of Caution: There is PG rated violence which happens mostly off the page. Recommended for Grades 5 and up.

If you like this book try: The Ank of Isis by Christine Norris, Children of the Lamp series by Philip Kerr or The Secrets of the immortal Nicholas Flamel series by Michael Scott

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Seraphina (Seraphina #1)

 I've always had trepidations when it comes to reading high fantasy. I often get too overwhelmed by the rich, complex world building and a wide variety of characters from different backgrounds which why I had to pause and wait to watch the Lord of the Rings trilogy as a film before diving back into the books. While Rachel Hartman's debut fantasy series is high fantasy, I can't help be drawn to the characters and the world.

Description (from the publisher): Four decades of peace have done little to ease the mistrust between humans and dragons in the kingdom of Goredd. Folding themselves into human shape, dragons attend court as ambassadors, and lend their rational, mathematical minds to universities as scholars and teachers. As the treaty's anniversary draws near, however, tensions are high. Seraphina Dombegh has reason to fear both sides. An unusually gifted musician, she joins the court just as a member of the royal family is murdered-in suspiciously draconian fashion. Seraphina is drawn into the investigation, partnering with the captain of the Queen's Guard, the dangerously perceptive Prince Lucian Kiggs. While they begin to uncover hints of a sinister plot to destroy the peace, Seraphina struggles to protect her own secret, the secret behind her musical gift, one so terrible that its discovery could mean her very life.

Review: Dragons have always been fascinating fantasy creatures that have captured our imaginations for quite some time. Hartman proves dragons are more than flying beasts who can spit fire. The Kingdom of Goredd has had a rocky peaceful treaty amongst between human and dragon kingdoms for forty years. The defamed treaty is on the verge of collapse and  tensions are high with an influx of dragons, who reluctantly shape-shift to their lessen human forms, arriving for their ruler Ardmagar Comonot’s anniversary. The anniversary comes at an ominous time when Prince Rufus is found murdered in the fashion of dragons (i.e. his head has been bitten off) and things reach a fever pitch as dragons and humans being pointing figures at one another.
    I was absolutely enthralled with Hartman's world building in Seraphina. The world seems to be heavily influenced by the Renaissance. The arts, philosophy, learning, and religion are given great importance in the society. Instead of believing in one deity, the people of Goredd believe in a variety of saints. There is a rigid social hierarchy amongst the citizens of the kingdom. Humans are the rulers while dragons are second class citizens, and the quitl are virtually the untouchable.
  In addition to the social order, the dragonlore of Seraphina is very tangible and easy to understand. The dragons only understand logic and order. Emotions are considered one's greatest weakness. Love, in particular, is viewed as a disease that must be avoided at all costs. I loved how throughout the book humans and dragons are trying to understand one another though they refuse to work together as each believes they are the superior creature who ought to rule.
  Our heroine Seraphina, a gifted and secretive court musician, bridges the gap between humans and dragons. I found Seraphina extremely likable. She desperately tries to go unnoticed as the investigation of Prince Rufus's murder draws close. Seraphina knows that her real identity must never be revealed since she is considered an abomination by her society. Her plight throughout the book is finding her own place in her world and trying to educate people about their prejudices to the different races without revealing herself. Some readers have called Seraphina cold, but I thought she was very resourceful (one can argue manipulative), smart, courageous yet vulnerable at the same time. Her emotions made sense to me after learning about who she is. 
  In addition to Seraphina, the secondary characters are important and fully realized as they represent different parts of society. Out of the many secondary characters, my favorite is Orma who reminds me in some ways as Snape from the Harry Potter series. Though he has no malice towards Seraphina, he struggles to identify with his human emotions, especially when he shape-shifts from dragon to human.  
  Though marketed as a fantasy, Serphina could work as a political thriller, murder mystery, bittersweet romance, and coming-of-age story. Since Seraphina is the daughter of high esteemed lawyer and a worker at the court, she is fully aware of the investigation. When Prince Lucian Kiggs asks for her help with the murder investigation, she has no choice but to become involved, even if Kiggs’ acute perceptiveness is a danger to her. The romance is slow burn and for once I didn't want to hit the love interest with a frying pan for being overly alpha.
  The only flaw that I can see preventing readers from fully enjoying Seraphina is its slow plot. The first hundred pages moves very slowly but I didn't mind too much as Hartman establishes her intricate world, but I know I was a bit surprised by the lack of action in the first half of the book. Once political intrigue started to develop, I though the book moved much faster. Soon I found myself involved with the characters and waiting to know what would happen next. Though this is the first book in a series, I'm happy to say there isn't a cliffhanger but I'm eagerly awaiting to see how the story progresses.

Rating: 4 stars

Words of Caution: There is some language and disturbing images. Recommended for Grades 7 and up.

If you like this book try: Dragondrums by Anne Caffrey, Daughter of Smoke and Bone by Laini Taylor, Dragon's Bait by Vivan Velde Vande, Dragonswood by Janet Lee Carey, Alanna series by Tamora Pierce

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Bloodrose (Nightshade #3)

  Thanks for your kind wishes while I was away at vacation. I had a blast and it was much needed, but the re-entry back to the real world can be harsh. I don't know about you but summer is going too fast for me. Before I know it, the chaos of school registration will be here. Yikes!
  I avoided reading Bloodrose, the last book in the Nightshade series, because it received a polarized fan response. I know major plot spoilers were revealed online, but that just fueled my curiosity. I had to know why so many people were upset. Unlike the first two books, Bloodrose was my least favorite in this series and there were quite a few things that bothered me in the book.

Description (from Goodreads): Calla has always welcomed war. But now that the final battle is upon her, there's more at stake than fighting. There's saving Ren, even if it incurs Shay's wrath. There's keeping Ansel safe, even if he's been branded a traitor. There's proving herself as the pack's alpha, facing unnameable horrors, and ridding the world of the Keepers' magic once and for all. And then there's deciding what to do when the war ends. If Calla makes it out alive, that is.

Review: Reviewers have commented on the middle book syndrome of a series, where virtually nothing really happens in the second book until the last few chapters that connect to the book that we really want, which is (in most cases) the third and final book. Some readers can tolerate a filler book as long as the series ends well (i.e. how the reader wants it to end). Personally, I think the book's best ending is what feels true to the characters and things don't necessarily have to be spelled out. With Bloodrose, however, I felt as if I got a half baked ending.
  Without giving us a moment of a quick recap, Bloodrose immediately starts where Wolfsbane ends and our characters are forced to make decisions. The war between Keeper and Guardians is inevitable where characters will either survive or die. The love triangle fraught with tension must be solved. Fractured packs must now come back and work together for a possible future that will change everyone's lives for better or for worse.
   The draw of Nightshade for me has always been Calla, a female alpha pack leader, who wrestles trying to carve out an identity for herself while fighting expectations of what she is suppose to do as dictated by her werewolf culture. While she is an alpha by title, she is not guaranteed to hold power like her male counterpart, just being female limits her abilities. I've always liked Calla. I admire her tenacity in facing difficult scenarios, her willingness to change how her world views a female alpha, and her endless love and loyalty for her pack. In Bloodrose, I felt like I lost that Calla that I loved and she was replaced by a whiny, wishy-washy girl who placed herself first ahead of her everyone else. This is clearly demonstrated on how Calla approached the love triangle. Calla claims to feel torn, however, it's pretty clear who she has chosen to be with. What I don't understand is how she was willing to string both guys along with heavy make-out and/or bedroom scenes.
  I've been puzzled by the love triangle in the Nightshade series. If you look closely at the love triangle from the point of view of romance, it falls apart and there really isn't one. If you look at the love triangle as a symbol of pre-destiny vs. freewill, and independence vs. dependent in terms of power it becomes a bit more interesting. I'd like to delve in this aspect a bit deeper, but I can't since it involves huge spoilers.
  My biggest disappointment in Bloodrose is not seeing more of Ren's character development. I would have been fine with his destiny if I got to know him on a deeper level. I know he was far from perfect and possibly not a great match for Calla but I wanted to give him a chance. So I was really upset that Ren never rose to his full potential in Bloodrose. While he does accomplish large goals, he also loses so much in the book while Shay seems to gain everything and everything came so easy to him. Things were definitely unbalanced.
  Bloodrose is a bittersweet ending in more ways than one. I was taken aback on how many people do not survive in this book. Some of the deaths were truly heartbreaking that happened within a few short sentences.There wasn't much of a mourning for these characters, which is surprising considering who died.  I was not thrilled about any of the deaths and I did have to close the book to get over my grumblings before I could pick it up again.
  Cremer is a talented storyteller and I did find it hard to put the book down because there were plenty of actions scenes and great moments in the book, but I'm not happy with some of the concluding threads in the book. I can understand where the characters and author are coming from, but I felt many of them were a bit too rushed and/or abrupt to make any lasting impression. So I guess the big question is whether or not to read Bloodrose. Honestly? I don't know what to tell you. I really don't. The only advice I can give you is this: be prepared for the book to possibly not end the way you would like it. If you're okay with that and like these characters enough to get some closure, then read it. If not, then skip it. It's been a few months since I read Bloodrose and I still feel ambivalent about it.

Rating: 3 stars

Words of Caution: There is strong violence, some language, heavy make-out scenes, and allusion to sex.

If you like this book try: Dark Divine series by Bree Despain, Raised by Wolves series by Jennifer Barnes, Blood and Chocolate by Annette Curtis Klause

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YA Minireviews- Fairy Tale Retellings featuring Sweetly, Bewitching, and Cinder

   I'm on a roll with reading fairy tale retellings this year. So far I've read four books and I do have my eye on reading Enchanted by Alethea Kontis and The Hero's Guide to Saving Your Kingdom by Christopher Healy. I also hope to finally read Ella Enchanted by Gail Carson Levine at some point this year too. There is something magical about fairy tales that keeps us coming back to them and adapting them to either modern day or a completely different setting altogether.

Description: When their stepmother casts Gretchen and Ansel out as teens, they are invited to stay with Sophia Kelly at her sweet shop. Life seems idyllic--until Gretchen meets handsome local outcast Samuel, and learns that girls have been vanishing at Sophia's annual chocolate festival, taken by the insatiable witch of Gretchen's nightmares.

Review: As you can probably tell from the names of the characters, Sweetly is a dark, contemporary take on the Hansel and Gretel fairy tale. In this retelling, Gretchen's twin sister disappears in the dark woods. Flash forward, 18-year-old Gretchen and her 19-year-old brother, Ansel, still struggle to understand who—or what—took Gretchen’s twin sister that night. After their father dies and their stepmother kicks them out, they travel cross-county till their car breaks down in Live Oak, South Carolina. There they meet Sophia, a beautiful, young chocolatier whose enchanting cottage-shoppe outside town becomes their new home. But both Sophia and the town hold secrets, and when Gretchen ventures into the nearby forest, she realizes things and people are not as they seem—and her childhood terror is real. For the most part, I enjoyed Sweetly. I liked the brother/sister relationship between Ansel and Gretchen. The plot and mythology was a bit slow and dragged for me, but I did like how Pearce tackled the issues of loss, grief, and survivor's guilt. I also thought the climax was a bit gory for my taste, but I'm sure those who like their fairy tales dark won't mind as much. I was, however, completely lost when the Fenris (werewolves) that come out of nowhere in the book. I know they played a big part in Sisters Red, but I really didn't understand what purpose they had in this book. Overall, it was pretty good but not great.

Rating: 3 stars

Words of Caution: There are some disturbing images including gory violence and some language. Recommended for Grades 8 and up.

If you like this book try: Sisters Red by Jackson Pearce, Fathomless by Jackson Pearce, A Tale Dark and Grimm by Adam Gidwitz


Description: Bewitching can be a beast. . . . Once, I put a curse on a beastly and arrogant high school boy. That one turned out all right. Others didn't. I go to a new school now-one where no one knows that I should have graduated long ago. I'm not still here because I'm stupid; I just don't age. You see, I'm immortal. And I pretty much know everything after hundreds of years-except for when to take my powers and butt out. I want to help, but things just go awry in ways I could never predict. Like when I tried to free some children from a gingerbread house and ended up being hanged. After I came back from the dead (immortal, remember?), I tried to play matchmaker for a French prince and ended up banished from France forever. And that little mermaid I found in the Titanic lifeboat? I don't even want to think about it. Now a girl named Emma needs me. I probably shouldn't get involved, but her gorgeous stepsister is conniving to the core. I think I have just the thing to fix that girl-and it isn't an enchanted pumpkin. Although you never know what will happen when I start . . . bewitching.

Review: I was very excited to read Bewitching as I found Kendra to be a really intriguing character in Beastly. I wanted to know more about her story and Bewitching fulfills that desire and more. In 1666, teenage Kendra relates the horror of watching her family die from a plague, halted only when she becomes aware of her own magic and heals her remaining brother. Though the spotlight is on Kendra, she generously shares the stage with other fairy tales as she reflects on helping and/or harming those around her. We are taken across the years as we revisit the sinister gingerbread house, the Little Mermaid rescues a Titanic passenger, and the Princess and the Pea takes which takes place at Versailles. My favorite fairy tale out of all of these is amazing rendition of Cinderella. Though I knew the fairy tale, I was still turning the pages to find out what would happen next. I flipped back and forth on identifying the heroine and the evil stepsister. Despite the jumpy transitions between the fairy tales, I thought Bewitching was a fun read. I'm curious to see where Kendra is headed next in her chronicles.

Rating: 4 stars

Words of Caution: There is some language and strong sensuality. Recommended for Grades 8 and up.

If you like this book try: Beastly or Cloaked or A Kiss in Time by Alex Flinn, Grimm Legacy by Polly Shulman, 



Description: Humans and androids crowd the raucous streets of New Beijing. A deadly plague ravages the population. From space, a ruthless lunar people watch, waiting to make their move. No one knows that Earth's fate hinges on one girl. . . . Cinder, a gifted mechanic, is a cyborg. She's a second-class citizen with a mysterious past, reviled by her stepmother and blamed for her stepsister's illness. But when her life becomes intertwined with the handsome Prince Kai's, she suddenly finds herself at the center of an intergalactic struggle, and a forbidden attraction. Caught between duty and freedom, loyalty and betrayal, she must uncover secrets about her past in order to protect her world's future. In this thrilling debut young adult novel, the first of a quartet, Marissa Meyer introduces readers to an unforgettable heroine and a masterfully crafted new world that's enthralling.

Review: I never thought a science fiction rendition of the Cinderella story with blending androids, hovercrafts, and netscreens with royalty, a ball, and an evil stepmother would work, but Meyer's inventive and vivid world makes it plausible and enjoyable. I was a bit hesitant that the technological aspect of Cinder's world would be a bit much, but I was worried for nothing. Cinder is the perfect read for those who want an enjoyable book with science fiction elements without reading a heavy science fiction book.
  I loved the characters, especially Linh Cinder who is our sassy heroine that stands on her own. Though she is treated as a subhuman due to being a cyborg and forced to earn the family's living as a mechanic, she stands on her own and isn't afraid to speak her mind.
  While I did learn about the plot twists a bit prematurely with the book's early foreshadowing, I was still enthralled by this book. I wanted to learn more about Prince Kai and see how his and Cinder's relationship become closer. I also wanted to learn more about the Lunar throne. Though there is still quite a lot of world building to create, I think Meyer has a great start with Cinder. I'm eagerly awaiting to see what happens next as Cinder's story continues in four other books. Just a heads up, the book does end a cliffhanger of sorts, but I was actually okay with leaving the story there.

Rating: 4 stars

Words of Caution: There are some disturbing images and some language. Recommended for Grades 7 and up.

If you like this book try: Scarlet (Lunar Chronicles #2) by Marissa Meyer coming in 2013, Shadows on the Moon by Zoe Marriott, Ash by Malinda Lo, Ella Enchated by Gail Carson Levine, and for 'readable' science fiction try Uglies series by Scott Westerfeld or The Host by Stephanie Meyer

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Shades of Honey and Milk (Shades of Honey and Milk #1)

 Thanks to a particular lascivious book, you can't say the words shades or grey without having a few people raise their eyebrows. Let me assure you that's not why I was drawn to Shades of Honey and Milk, but I happened to stumble upon it while looking for some urban fantasy series. The tagline promising a Jane Austen-like ambiance with a dash of magic, and a nod to Beauty and the Beast is what made me pick this one up.

Description (from Goodreads): Shades of Milk and Honey is an intimate portrait of Jane Ellsworth, a woman ahead of her time in a version of Regency England where the manipulation of glamour is considered an essential skill for a lady of quality. But despite the prevalence of magic in everyday life, other aspects of Dorchester’s society are not that different: Jane and her sister Melody’s lives still revolve around vying for the attentions of eligible men.
   Jane resists this fate, and rightly so: while her skill with glamour is remarkable, it is her sister who is fair of face, and therefore wins the lion’s share of the attention. At the ripe old age of twenty-eight, Jane has resigned herself to being invisible forever. But when her family’s honor is threatened, she finds that she must push her skills to the limit in order to set things right–and, in the process, accidentally wanders into a love story of her own.

Review: Shades of Honey and Milk definitely delivers as an Austenesque read. The scenario is typical as two middle class sisters wait around to be married off to a man of nobility or at least some money to his name. The sisters are the plain on the outside but extremely talented Jane and the beautiful and fair Melody. Readers of Austen will immediately pick up the nods throughout the book, but irony, social criticism, as well as complication of character that make Austen's novels so loveable are not present in this book. Instead we are adding a neat magical system, which unfortunately isn't explored and seems little integrated with the world. 
  The characters, whose character traits seem to be picked from various Austen novels, are enjoyable. You have your obvious bad guys (I always thought Austen's villains were completely obvious), the love interest, the plain but in her own way extraordinary that takes people a while to recognize. I would have liked to know each of the characters a bit more, especially Jane and Vincent.
  The story takes time to warm up and is a bit obvious. I did notice a few period glitches found in the book, but it didn't take me out of the book. I chuckled a few times at the dead pan humor and was a bit surprised to see how the book's quickly ends given the slow start. 
  Kowal is a talented writer and Shades of Milk and Honey is a lovely tribute to Jane Austen, which she acknowledges in her author notes. I do plan on reading more of this series at some point, but I'm not rushing to it. I think the series has great potential and I'm curious to learn more about the world and hopefully, the next books won't seem as unfinished as this first book.

Rating: 3 stars

Words of Caution: None. Recommended to teens and adults who enjoy a clean romance with a dash of fantasy and magic.

If you like this book try: Glamour of Glass (Shades of Honey and Milk #2), The Fairy Godmother by Mercedes Lackey, The Native Star by M.K. Hobson

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City of Lost Souls (Mortal Instruments #5)

 Writing a series can be tricky. Sometimes they overstay their welcome, especially when a whole story arc finishes. I'm beginning to think the Mortal Instruments series by Cassandra Clare should have stopped after City of Glass where everything came together quite nicely.

Description (from the Publisher): The New York Times bestselling Mortal Instruments continues and so do the thrills and danger for Jace, Clary, and Simon. Can the lost be reclaimed? What price is too high to pay for love? Who can be trusted when sin and salvation collide? Love. Blood. Betrayal. Revenge. Darkness threatens to claim the Shadowhunters in the harrowing fifth book of the Mortal Instruments series.

Review: City of Lost Souls, in my opinion, is the weakest book in the Mortal Instrument series thus far. The book feels as if it's a pause button while the author gathers her thoughts for the finale. At 534 pages long, it is not only the longest book in the series but also the dullest, most frustrating to read. Normally, I burn through this series because of the nonstop action and great character development; however, with City of Lost Souls I just wanted the book to end.
  It goes without saying that I had a lot of issues with City of Lost Souls, but I will limit them to the big three that made me want to bang my head against the wall: lack of structure, anticlimactic/overdone subplots, and almost to nothing in the character development arena. I would think that with five books under her belt, Clare would avoid these pitfalls.
  The book immediately picks up right where City of Fallen Angel ends, but then the narrative quickly morphs into an amoeba going into different directions as the point of views move from one character to the next. I kid you not. The point of view changes at least ten times within a single chapter, many times without any logical transitions. I felt lost and no longer felt as if I was reading but rather a pinball machine flinging to one place to another. The second arc of the Mortal Instrument series is suppose to focus on Simon (now I have a sneaky suspicious that was all a ruse), an integral secondary character in the series but again the plot and center stage is hijacked by Clace (Clary and Jace) and their romantic turmoil. Instead of sympathizing with Clary or nodding my head in agreement of Jace not being at a good place, I grew tired of their rocky relationship which is more important than the fact that their entire world outside their bubble is falling apart. Both characters who I normally enjoy or in the case of Jace, tolerate, become extremely self absorbed, boring, and repetitive. Due to Clace's relationship angst, everything and everyone is brushed aside. We get clips of arguments with the werewolf council, snippets of homophobia amongst the Shadowhunter society, a few angels and demons summoned here and there, and of course the sexual tension between the various pairs that go teeter on the "are they a couple?" and "are they breaking up?" scale. Yawn.
    Despite these small threads, what disheartened me the most are the stupid mistakes the characters make. It takes them 50 pages to identify the obstacle and then come up with the wrong tactic to correct it. Really? You defeated the big bad with less resources in the first three books and now you stumble, bumble, and fumble to figure out what's right and wrong when the answer is right in front of you? In addition to this, there was a large focus on Jordan's and Maia's relationship, which puzzles me since they were only mentioned mostly in the City of Fallen Angels for a brief moment. I really don't know how this couple adds anything to the overall story arc. Don't get me wrong, I like Jordan and Maia, but their relationship is not important as the other characters that were present since the first book of this series.
   As I mentioned earlier, there isn't much character development in City of Lost Souls. The characters remain stagnant with the exception of a quick glimmer here and there of life, but by then it was almost too late to care. I can, however, point out to all the details of the clothes the characters were wearing throughout the story as there were passages and passages of those descriptions. I'm not convinced that Sebastian is a complex villain. Sure, he's twisted but menacing? Not really. His plot to ruin the world is pretty obvious, but it still takes our heroes and heroines over 500 pages to piece the puzzle together which I figured out in about 200 pages when I wasn't getting motion sickness from the narrative. Heck, even the grand reveal of the master plan and the detailed battle scene fails to bring on the thrills that we expect from this series. By the end of the book, it's pretty clear how things will end with the sixth (and final?) book in the series.
   Now you're probably wondering what did I like in this book? I liked the small moments between Simon and Isabel when they were given limited page time. I also liked the scene where Magnus tried to knock some sense into Alec. There are some great lines here and there that made me chuckle, but that's about it.
   I know there are going to be readers who will love everything in this series, but I expected a lot more from this well established series. Now I'm worried about City of Heavenly Fire which is slated to be published in March 2014 according to Goodreads. For once I think the long wait might be a good thing.

Rating: 2 stars

Words of Caution: There is some language, allusions to sex, and some disturbing images. Recommended for Grades 9 and up.

If you like this book try: City of Heavenly Fire by Cassandra Clare (March 2014), Infernal Devices series by Cassandra Clare, Wicked Lovely series by Melissa Marr, Evernight series by Claudia Gray

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The Prophet (Graveyard Queen #3)

 I don't know about you, but I'm barely hanging on this week. I just have to get through today and Friday. The beginning and ending of the school year completely stresses me out. Large projects loom and I'm terrified I'll a) never get things done on time, b) I'll screw up majorly causing a ripple effect of "oh noes" and c) everything will go horribly wrong. *Takes deep breath* I guess I share the same anxiety and fear as Amelia Gray, the heroine of the wonderful, Gothic, paranormal mystery series called the Graveyard Queen, but I think she has it a lot worse than I do.  

Description: My name is Amelia Gray. I am the Graveyard Queen, a cemetery restorer who sees ghosts. My father passed down four rules to keep me safe and I've broken every last one. A door has opened and evil wants me back. In order to protect myself, I've vowed to return to those rules. But the ghost of a murdered cop needs my help to find his killer. The clues lead me to the dark side of Charleston--where witchcraft, root doctors and black magic still flourish--and back to John Devlin, a haunted police detective I should only love from afar. Now I'm faced with a terrible choice: follow the rules or follow my heart.

Review: The Prophet is by far my favorite out of the The Graveyard series thus far. Amanda Stevens amps up the romantic tension, mystery, and suspense. Despite my busy schedule, I had a hard time to put this book down. If you pick up this series, I suggest you begin at the beginning with The Restorer followed by The Kingdom (the first and second book respectively) in order to get a better grasp on the character development and relationships in the book. 
   When we last visited Amelia, she was on her way back to Charleston after receiving a cry from help in the form of a text from her tortured love interest, John Devlin. Amelia has turned into a new person in The Prophet. She is no longer afraid of nor ignores her abilities like we first met her in The Restorer. After gaining her knowledge about who she is in The Kingdom, she is now working on using her talents in her favor, drawing power and confidence while harnessing and not be afraid of it. Unfortunately, her re-entry into her life isn't as easy as her new outlook on life. She is back at working the old cemetery filled with hidden secrets. She is surrounded and haunted by the same ghosts and not to mention in love with a man who should be avoided at all costs. 
  My heart ached and raced right along with Amelia's when Devlin reappeared. They've been apart for months without any clear explanations of what happened the last night they were together. Gone is the comfort and familiarity of working together as they avoid the big elephant in the room. There are even questions now about whether new relationships have been formed. The ghosts that haunt Devlin become stronger and more aggressive as they hold onto him with both hands, causing drastic physical effects on Amelia as she spends time with him. The distance and concealed secrets between Devlin and Amelia kept me tense and wondering if their happiness is even possible. I wanted them to be together and waited with baited breath as they got closer. Their romantic tension crackled and sizzled on the pages. 
  Not only did the turbulent romance enthrall me, I was also highly invested in the murder mystery in this book. The ghost of former cop Robert Fremont is haunting Amelia, pushing her to solve his murder. What turns out to be a simple 'whodunit' mystery is a tangled web that wraps quite nicely to Devlin's past. Unlike the previous two books that identify the ghosts and describe their attachments to Devlin, they become full finalized in The Prophet. Each new detail uncover a new layer to their true personality, forcing us to reshape our impressions of them multiple times. The mixture of treachery, blackmail, betrayal, obsession, and the occult makes it super creepy. It was hard for me to pinpoint who is responsible for Fremont's murder since there were many people who had the motive and means to do so. The final reveal behind his murder as well as the truths behind Devlin's past is truly shocking. I was really sad for Devlin when I first met him, but now I feel like his burden which carried around so heavily in the first two books now rest on my shoulders. There are some huge twists in the book that I took me completely unaware. And the ending? Wow. Not a cliffhanger but more of what happens now? 
  I feel like the first story arc is now complete and I'm really excited to see where Ms. Stevens takes her characters next. I can't wait for book four to come out. So far the only information that I know is that there will be an online novella to help curve our craving for book four, which is tentatively called The Keeper. Ms. Stevens also plans on writing two more books for a total of six books in the Graveyard Queen series. Yay!

Rating: 4.5 stars

Words of Caution: There is some strong language, violence, and disturbing scenes. There is also a brief sex scene that it's too graphic. Recommended for mature teens and adults.

If you like this book try:  Deadly Night by Heather Graham, Bodyfinder series by Kimberly Dertling, Grave Sight series by Charlaine Harris, Rebecca by Daphne DuMaurier

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